From Wilson (The Suitcase Kid, 1997, etc.), a lightweight British import that is a telling study of twindom's trials and tribulations. Doing their best to make everyone miserable in the process, ten-year-old identical twins Ruby and Garnet reluctantly adapt to changes in their family and themselves in this revealing double journal. As close in other ways as twins can be, Ruby is otherwise as rude and bossy as Garnet is shy and wimpy. Ruby doesn't like Rose, the new woman in their father Richard's life, nor his decision to move to a small town and open a bookshop, nor their new teacher, nor their classmates, so Garnet trails along on a campaign of pranks and bad behavior, offering only token resistance. Then the twins, at Ruby's instigation, take an entrance exam for an expensive boarding school and only Garnet is offered a scholarship. Wilson works with a broad brush, exaggerating the differences in the twins' personalities, and endowing Rose and Richard with inhuman funds of patience. While readers will spend most of the book wondering why Ruby wasn't strangled long ago, she takes the impending separation from her twin so much harder than Garnet that she becomes a tragic figure. In the end, the two part with hugs and tears, and start making new friends almost immediately. Their alternating accountsRuby's long and chatty, Garnet's short but eloquentare illustrated with simple black-and-white drawings, each twin done by a different artist, to no distinguishable effect. (Fiction. 9-11)
Pub Date: March 1, 1998
ISBN: 0-385-32312-3
Page Count: 185
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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