by Jacqueline Woodson & illustrated by E.B. Lewis ‧ RELEASE DATE: Oct. 1, 2004
Longing, loneliness, pride, and doing what needs to be done shine off the pages and into the hearts of readers.
In a perfect pairing with Woodson’s text, Lewis manages to make his rich watercolors glow with the light of memory in a simple story of another time of war.
His figures and objects fill the real space they inhabit, however, and appear fully present in our consciousness. Ada Ruth misses her mama, who has gone off to work cleaning railroad cars in Chicago. During WWII, when the men were fighting, women were needed to work—even, as Ada Ruth’s mother says, colored women. When a starving kitten comes to their door, Ada’s grandmother doesn’t see how they can keep it, but puts down a saucer of milk just the same. The narrative is filled with quietness: as the snow falls; as Ada and Grandma wait for the mail that will bring news and money; as the kitten insinuates itself into mealtimes, skimpy or not.
Longing, loneliness, pride, and doing what needs to be done shine off the pages and into the hearts of readers. (Picture book. 5-8)Pub Date: Oct. 1, 2004
ISBN: 978-0-399-23748-5
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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