A dream team of talent show and tell a delightful story of summers gone by.
Kids burst out of school and into summer vacation.
Now they can play outside all day till the streetlights come on, when moms call them home. This nostalgic homage to Woodson’s childhood in her beloved Brooklyn evokes the senses: the sounds of laughter and double Dutch rhymes, the sight of sidewalk chalk and bottle cap games, and the taste of an ice cream cone with rainbow sprinkles from the ice cream truck. The refrain, “In Brooklyn / in the summer / not so long ago,” appears in text the color of summer heat: red, orange, yellow. The bell-bottom plaid pants; white, knee-high, color-ringed tube socks; and loud-and-proud Afros pinpoint this story’s ’60s or ’70s setting. The amazing diversity of the neighborhood comes through both in Espinosa’s lively, colorful retro illustrations, which depict Black, brown, and White children, and Woodson’s lyrical text, which describes kids calling “out to each other / in Spanish / in English / in Polish / in German / in Chinese.” They also get along well, with the older kids looking out for the younger ones and those with ice cream money sharing with those without “because some days the ones with no money / were us.” Espinosa depicts many characters with mouths wide open, emphasizing their unbridled delight and loudness. Author and illustrator offer a refreshing reminder of a pre-internet time when full-immersion play was the summer activity and kids took full advantage. (This book was reviewed digitally.)
A dream team of talent show and tell a delightful story of summers gone by. (Picture book. 4-8)Pub Date: May 10, 2022
ISBN: 978-0-399-54549-8
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
PERSPECTIVES
Sweet but misleading.
A plucky child becomes a space traveler.
Arceneaux was the first pediatric cancer survivor and the first with a prosthetic body part to become an astronaut, part of the first all-civilian space mission in 2021. The author, who in 2022 published the adult memoir Wild Ride and its 2023 adaptation for middle-grade readers, here shares her story with an even younger audience. Told in the third person, the narrative emphasizes the bravery she summoned as she coped with a cancer that left her with a prosthetic leg bone and knee (hinted at with an incision line in one illustration) and went on to become a space traveler. Curiously, Hayley and her astronaut colleagues are portrayed as children. They play with a “stuffed toy alien,” and in an imagined episode, Hayley ventures outside the spacecraft to perform a repair. Accompanied by softly hued illustrations with character designs that recall Precious Moments figurines, the narrative emphasizes familiar details of space travel that will appeal to children; both their bodies and their food float in zero gravity. The mission splashes down safely, and Hayley rushes to hug her mom. Though Arceneaux was the youngest astronaut to have orbited the Earth, she was an adult when she did so. The odd choice to depict her as a child reduces her compelling story to a fantasy. Arceneaux is white; other characters are diverse.
Sweet but misleading. (Picture book. 4-7)Pub Date: Feb. 18, 2025
ISBN: 9780593443903
Page Count: 40
Publisher: Convergent
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
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