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THE GOOD SON

An emotionally intense drama of guilt, forgiveness, and motherhood marred by an unfortunate pacing problem.

The end of her son's prison sentence is the beginning of a new nightmare for the mother of a murderer.

"Before Belinda died, not much in my life had prepared me for anything except moderate good fortune." A college professor married to a popular football coach with a large network of loving family and friends, Thea Demetriou was living a good life until her luck ran out in a dramatic way three years ago, when her 17-year-old son, Stefan, a boy who had barely swatted a fly, murdered his longtime girlfriend, Belinda, in a drug-induced episode of psychosis. He remembers nothing about it, but he was the only one present, and his fingerprints were on the murder weapon. The scene Stefan comes home to is far from welcoming—picketers from an activist group founded by Belinda's mother, Jill, have already been gathering outside their house regularly to protest his release, and the harassment of the family by individuals and the media now escalates to the point that Thea is forced to take a sabbatical from her job. (Her academic focus is obsessed women in fiction, a detail with oddly unexplored potential.) If Stefan was just a regular guy before he went to prison, his tortuous experiences have made him into a near saint; he now conceives and undertakes a major project of good works in an attempt to give his ruined life meaning. Meanwhile, Thea begins receiving calls from someone who claims to have more information about the murder, but this plotline unfolds so slowly that it leaks rather than increases tension. Mitchard is an old pro at domestic fiction—the characters, the dialogue, the insights are all as strong as you'd expect—but most readers will figure out who the stalker is a hundred pages before Thea does. And as heavily overdetermined as it is, the final reveal could have been better set up.

An emotionally intense drama of guilt, forgiveness, and motherhood marred by an unfortunate pacing problem.

Pub Date: Jan. 18, 2022

ISBN: 978-0-778-31179-9

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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