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TWELVE TIMES BLESSED

A whiny romance and a long year indeed.

Mitchard (A Theory of Relativity, 2001, etc.) follows a year, month by month, in the life of a 43-year-old widow on Cape Cod as she runs her business, raises her son, and starts a relationship.

True Dickinson lives in a beautiful house with her son Guy, ten, who adores her. Her business is thriving—she arranges for a year’s worth of whimsical gifts to be sent to new babies (hence the title). And she is surrounded by devoted friends and family. Still, she’s lonely. Enter Hank Bannister, the much younger and very handsome owner of a local Creole restaurant. The two meet in February and get married by April. True’s mother, who inconveniently lives in True’s guesthouse, clearly disapproves, but Guy goes through only a month of adjusting before he completely adores Hank. After Hank’s parents visit from Louisiana, True’s realization that Hank is part black causes a little stir but not nearly as much as does True’s ongoing insecurity about her age and looks. There are arguments and misunderstandings, and lots of sex. By August, True is pregnant and planning an expansion of her business based on Hank’s idea for baskets to college kids, but after 9/11, financing dries up. By October, because of his continuing platonic involvement with an old girlfriend, True has thrown Hank out of the house, and Hank has legally adopted Guy so that he and True cross paths repeatedly—especially when Guy gets a part in a local theater production and Hank helps coach him. But True’s pride keeps her from trying for reconciliation. In January, True and Hank’s baby is born and True discovers that her mother has been hiding both Hank’s phone calls and his letters of love and apology. At year’s end, True and Hank are working to get their marriage back on track.

A whiny romance and a long year indeed.

Pub Date: April 1, 2003

ISBN: 0-06-621475-0

Page Count: 544

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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