THOSE OPULENT DAYS

In this debut drama set in early-1900s Saigon, a rich young man is found dead—but which rich young man is it?

The appearance of a dead body fulfills a prophesy made in 1917, when four 11-year-old boys snuck out of their boarding school to consult a fortuneteller. The woman had a vexing prediction for the young friends: “One will lose his mind. One will pay. One will agonize”; to the ringleader she confided, “One will die.” Thirteen years later, one of them does die—by poison. From here the novel jumps back in time six days and proceeds to inch forward, tracing the events leading to the discovery of the body, by which point readers will have learned who has died and by whose hand. The novel, whose ping-ponging chronology (some flashbacks contain flashbacks) can be discombobulating, harbors a mystery without especially reading like one, as the focus here isn’t detective work but character. Key players, who take turns with the book’s perspective, star in gorgeously appointed scenes awash in faithful historical detail and tense with stewing and scheming. The story’s villainy is rooted in restrictive attitudes about class, race, and sexuality, which can make the book feel heavy with intent, but the entrée the novel affords into the privileged lives of the four principals—sunny Duy, volatile Minh, opium-addicted Phong, and hard-drinking French-born Edmond—feels like a rare treat. The “upstairs” abundance is judiciously balanced with the perspectives of “downstairs” characters, one of whom observes, not without justification, that the four lads “walked with confidence, the ground beneath their heels polished just for them.”

A heady, character-driven historical novel embedded with a mystery.