The stakes, as they are, never get much higher than a trashed party pastry, but spending time with Lucy and Alice is well...
A pair of bear sisters who get along great, except when it comes to sharing a bed, work up a sweet plan to buy bunk beds—but things get messy along the way.
Sisters Lucy (larger, messy, loves jelly) and Alice (word nerd, likes plain peanut butter) are the best of friends, but their disagreement about foods they love causes a disaster when they take a job at a bakery to pay for their bunk beds. A bake-off goes horribly wrong, ruining an elaborate wedding cake—but these cubs are hardworking and smart. They come up with an alternate cake that ends up being a big hit. Illustrator Temairik's first solo book has a playful one-thing-leads-to-another structure that of course ends with the titular bunk beds—after some amusing detours. She varies the visual pace of the story with double-page spreads, some dialogue-heavy back-and-forth exchanges, and lots of sneaky puns, such as those on the cereal boxes ("How Wheat It is!") and this world's paper of record, the Gnu York Times. But the word jokes alone would make for a thin experience if the facial expressions and body language of Temairik's characters weren't so spot-on and the mostly easygoing vibe between Lucy and Alice weren't so comfortably familiar.
The stakes, as they are, never get much higher than a trashed party pastry, but spending time with Lucy and Alice is well worth it . (Picture book. 4-8)Pub Date: July 5, 2016
ISBN: 978-1-4847-0816-3
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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