by Jairo Buitrago ; illustrated by Rafael Yockteng ; translated by Elisa Amado ‧ RELEASE DATE: March 14, 2017
Emotionally resonant in the loveliest of ways.
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A lion accompanies a child on a walk home during a day in the city in this wistful tale of parental absence.
The story begins with a simple gesture: a nameless, light-skinned child in a school uniform holds out a flower to a lion. “Keep me company on the way home,” says the child. The lion then follows the child, terrifying adults—and delighting other kids—at school and on the city’s streets all the way home. The pair dashes by crowded buses and cars, stops to pick up the child-narrator’s younger sibling, and even shops at “the store that won’t give us credit anymore.” (Fortunately, the ferocious feline can help with the last difficulty.) At home, things start to settle down as the trio prepares a meal and waits for Mama to return from the factory. The day soon ends, and the lion departs, though the child-narrator hopes it returns when called. Similar to Buitrago and Yockteng’s previous collaborations, the story ends on a poignant and unexpected note. The first-person narration tugs readers along with ease, deftly eliciting compassion from the performance of seemingly mundane tasks. Yockteng’s muted illustrations depict the city as full of cracked buildings, drab colors, and expression captured in movement. Minor details in the pictures, including environmental print in Spanish, take readers in different directions all at once, adding to the low-key narration.
Emotionally resonant in the loveliest of ways. (Picture book. 4-7)Pub Date: March 14, 2017
ISBN: 978-1-55498-857-0
Page Count: 35
Publisher: Groundwood
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Jairo Buitrago ; illustrated by Linda Wolfsgruber ; translated by Elisa Amado
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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