THE ART OF DRAG

A colorful compendium of queer history.

From ancient times to the modern day, human beings have bent and broken rules about gender through clothing, makeup, and performance. Tracing this history through to the possible future, Hall attempts to synthesize larger theories of drag and queer liberation while also providing thumbnail sketches of individuals, communities, and timeframes. They use a cheery tone to introduce readers to Kabuki theater in Japan, the Peking opera, British pantomime, the Pansy Craze of early-20th-century New York City, the Harlem ballroom scene that came to prominence in the 1980s, and other subjects. The book also introduces famous drag queens like House Mother Crystal LaBeija, RuPaul, Divine, and masc-presenting performers and drag kings like Gladys Alberta Bentley and Stormé DeLarverie (though William Dorsey Swann, a formerly enslaved Black pioneer of American drag, is noticeably missing). Through mostly serviceable prose, occasionally given to run-on sentences or vague platitudes, the book addresses the impact that drag has within queer communities and references the social change created by drag, though readers seeking concrete information about the material impact that drag has had on policy and legislation will be disappointed. The illustrations by a variety of artists offer stylized, full-color renderings of the people mentioned.

Useful and optimistic.