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BRAVING HOME

DISPATCHES FROM THE UNDERWATER TOWN, THE LAVA-SIDE INN, AND OTHER EXTREME LOCALES

Throwbacks, maybe, but Halpern is “impressed by their fierce pioneer spirit, clearly atavistic, but proudly unyielding.” You...

Five choice samples from Halpern’s journalistic beat of “outlandish and often hellish [places] inhabited by a handful of stalwarts who refused to leave.”

Sometimes it’s just one stalwart, like Jack Thompson, sole resident of Royal Gardens, Hawaii, a little lava-encircled island with plenty more lava creeping its way. Then there’s Thad Knight, who stayed put when Hurricane Floyd inundated Princeville, North Carolina, arguably the first incorporated black town in the US. After Knight come the residents of Whittier, Alaska, living in a claustrophobic and otherworldly 14-story high-rise nestled in the tongue of a glacier—people who, in one resident’s words, “came here running from something.” At first glance, Malibu, California, hardly seems outlandish and hellish—that is, until fire season starts, marking a clear distinction between those who run and those who stay to guard the homestead against the wind-whipped flames. Lastly, there’s the fellow who rides the mean storms off the Gulf of Mexico on a spit of land in the south of Louisiana. What we have here, Halpern suggests, are people with genuine pride of place and sense of home, not despite of but in response to the strange and daring environs: “Perhaps, over the years, their intimacy with danger and their ability to survive created a deep sense of pride and belonging.” They are individualistic, self-reliant, respectful of nature (except for Princeville, their landscapes are marked by sheer magnificence), and, often as not, happy to be free of government and society. These are people linked inextricably to the places they live, devoted and hardy, a little rough around the edges, humorous and stoic, capable of making their own definitions of heaven on earth.

Throwbacks, maybe, but Halpern is “impressed by their fierce pioneer spirit, clearly atavistic, but proudly unyielding.” You will be, too. (12 b&w photos)

Pub Date: July 1, 2003

ISBN: 0-618-15548-1

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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