Although didactic and idealized, this broad interpretation of freedom from a Jewish perspective is one not often seen.
A boy’s insistence on exercising freedom of religion helps an 18th-century Portuguese-Jewish immigrant community openly practice and observe its faith.
Emanuel works with his merchant father offering supplies to the whalers of New Bedford, Mass., and, with dreams of joining a ship when he is older, loves to listen to Captain Henshaw’s adventurous seafaring stories. But his cautious father, scarred by the Spanish Inquisition, tells him that whaling is a dangerous occupation and that Emanuel’s place will be at the store. Emanuel grows weary of his father’s fears. He particularly cannot understand why they do not openly celebrate Shabbat or the eight nights of Hanukkah with their menorah’s candles beaming in the window. On the eighth day of Hanukkah, the determined 9-year-old stows away on Captain Henshaw’s ship, leaving a note expressing his search for freedom. Disaster strikes immediately in the form of a fierce storm that causes the ship to turn back. As suspense builds, the darkness is lit with the numerous flickering menorah candles in the windows of the Jewish homes, guiding the struggling ship and its crew back to shore. Opaque dark-blue– and brown-hued paintings provide a shadowy atmosphere; the chiseled faces of hard-working men are illuminated by candlelight. Emanuel’s New World innocence, untouched by persecution, is reflected in his boyish, smooth face.
Although didactic and idealized, this broad interpretation of freedom from a Jewish perspective is one not often seen. (Picture book. 5-8)Pub Date: Sept. 1, 2012
ISBN: 978-0-7613-6625-6
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thoughtful and joyful.
A child of Vietnamese descent fantasizes about the perfect outfit for Tết.
One night, Mai dreams about being a big “STAAAAAAR” and fielding questions on the red carpet. Mai’s literal dream dress is a sparkly silver ballroom gown with a sweetheart cut. After waking up, the child is eager to tell Ba all about it, but first it’s time to get ready. It’s the first day of Tết, or Lunar New Year, and the family plans to celebrate at Mai’s grandmother’s house. Though Mai loves visiting Bà Nội, the child balks at donning the áo dài, a Vietnamese outfit consisting of a tunic worn over trousers. “Stars wear dresses and gowns,” Mai tells Ba. But Ba shows Mai the family photo album, explaining that Bà Nội had her own sewing school in Vietnam and that her students lovingly dubbed her the “Queen of Áo Dài.” To keep their traditions alive when the family emigrated, Bà Nội continued to make áo dài for her loved ones, and the children learned to sew them as an expression of love. Finally, with a newfound appreciation for the garment, Mai greets Bà Nội with a hug, clad in a customized áo dài made by Ba. Told entirely through naturally expressed and well-paced dialogue and accompanied by vividly textured illustrations, this is a loving tale of a family finding a creative way to reshape a beloved tradition.
Thoughtful and joyful. (glossary, “let’s design our own áo dài” activity) (Picture book. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9781665917346
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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