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LOVE & WAR

TWENTY YEARS, THREE PRESIDENTS, TWO DAUGHTERS AND ONE LOUISIANA HOME

A solid memoir of political lives from both sides of the spectrum.

A strangely compelling dueling memoir by the improbably matched political couple.

Chicago-native Republican strategist Matalin (Letters to My Daughters, 2004) and New Orleans–born Bill Clinton campaign manager Carville (co-author: It’s the Middle Class, Stupid!, 2012) alternate relentless takes on the events of the last 20 years—both public news stories, such as the 2000 presidential election recount that deeply shook their marriage, and private milestones like moving with their two then-tween-age daughters to New Orleans from Washington, D.C., in 2008. Matalin garners the lion’s share of space, as she discourses on events and personalities in more leisurely, mannered detail, especially the two years she worked as assistant to Vice President Dick Cheney (dispensing the standard talking points for the media meant, “it was up to you to make processed canned food taste garden fresh”). In his pithy style, Carville gets in some good digs of his own. For example, he recounts his simmering resentment at his wife for taking that same VP job in the first place, suppressing an uncivil urge to wish her “good luck on cutting taxes for rich people on her way out the door.” Both are funny in their fashions and respectful of and loving toward the other—rather incredibly, considering their vast ideological divides. In one illuminating tale, Carville tells of the post-9/11 Christmas holiday the family had to spend near the Cheneys in Wyoming, which he made the best of despite the fact that “we were surrounded by Republicans.” In spite of Matalin’s gushing praise of “Poppy” Bush, Lee Atwater, Rush Limbaugh and others, and despite Carville’s merciless jabs at their “boneheaded positions,” the couple’s revelatory account of Carville’s late-life diagnosis of ADHD and their work to rebuild their hometown prove miraculously touching.

A solid memoir of political lives from both sides of the spectrum.

Pub Date: Jan. 7, 2014

ISBN: 978-0-399-16724-9

Page Count: 352

Publisher: Blue Rider Press

Review Posted Online: Dec. 1, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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