While it can get bogged down in the minutiae of camera angles, set details, and the tedium of production, this is an...
Curtis (Spencer Tracy, 2011, etc.) details just about every aspect of director and film production designer William Cameron Menzies (1896-1957).
The author’s writing style allows readers to actually feel the methods Menzies used as he fractured perspective and created specific moods with angles and shadows. Undoubtedly, Menzies was the first and greatest master of film staging, art direction, and what is now known as production design. From his first great triumph in The Thief of Bagdad (1925) to Around the World in 80 Days (1956), he spent nearly every waking hour designing settings and sketching out every camera angle for every shot. When we hear of storyboards, we have this man to thank for inventing them. Having a sketch showing exactly what was needed saved hours of time and materials. Some directors, such as Sam Wood, relied entirely on Menzies’ work. Together, they produced wonderful films until Wood dissolved their partnership over politics during the 1950s. Curtis provides wonderful sections about his subject’s groundbreaking work on Our Town (1940) and an extended chapter devoted to Gone with the Wind (1939). Working for David Selznick on that picture was one of the most difficult assignments, as the producer was wont to micromanage, changing schedules, calling meetings, and then arriving late. Menzies was a significant part of the history of filmmaking, from silent films to sound pictures, the advents of color, 3D, and Cinerama. At the birth of TV, he worked on Halls of Ivy with Ronald Colman. While he was vital to the movie industry, with the exception of the first Oscar awarded for art direction, plaudits and applause were limited to those few who understood his contributions. Fortunately, Curtis fills in all the missing pieces.
While it can get bogged down in the minutiae of camera angles, set details, and the tedium of production, this is an illuminating, long-overdue book about the man who taught the world how to make a good film.Pub Date: Nov. 10, 2015
ISBN: 978-0-375-42472-4
Page Count: 448
Publisher: Pantheon
Review Posted Online: Aug. 15, 2015
Kirkus Reviews Issue: Sept. 1, 2015
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
