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OLD MACDONALD HAD A FARM

From the Pete the Cat series

“Old MacDonald” for narcoleptics

The heavy-lidded cat with a cult following dons overalls for a trip to the farm.

There is absolutely nothing out of the ordinary about the text in this outing, verses unfurling spread by spread, one per animal. This feline Old MacDonald has some equally heavy-lidded chickens, dogs, cows, pigs, horses, (Siamese) cats, goats, ducks, turkeys, roosters, donkeys, sheep, frogs and geese, as well as a turtle that’s pictured in each scene. They all pretty much say the expected things, though preschoolers will be quick to call shenanigans when they hear that Pete-the-Cat MacDonald’s goats say “baa-baa” while the sheep say “maa-maa.” The “action,” such as it is, plays out on static, green-grassed, blue-skied backgrounds in which the occasional tractor or barn trades places with a red pickup. Aside from Pete and his turtle, the animals included in the spreads vary, sometimes accumulating and sometimes not; children who like to find patterns will be frustrated here. But the book’s biggest liability is its star’s practically comatose affect. Jacket copy and the character’s mythos tell readers that Pete’s “groovy,” but he just looks like he couldn’t care less. As the lyrics of “Old MacDonald” beg to be sung aloud with brio, Pete’s never-changing expression and the unwavering stolidity of the compositions make a hopeless mismatch.

“Old MacDonald” for narcoleptics . (Picture book. 3-5)

Pub Date: Feb. 18, 2014

ISBN: 978-0-06-219873-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 17, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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