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POEMS, 1957-1967

James Dickey, fresh from winning a National Book Award and an appointment as Poetry Consultant to the Library of Congress, has also recently been enshrined in one of Life magazine's pictorial essays where the Dow Jones rating was a smashing "presently the hottest of emerging U.S. poets." Is Dickey being groomed as the All-American successor to Robert Frost? The collection here contains Dickey's three previous volumes and a sampling of later work, including "Falling," his most adventurous experiment in the "open" structure since "The Firebombing" of two years ago. While Dickey's themes remain fairly constant—fugitive intermingling with nature, family, childhood, the wartime experience—he has been steadily, if subtly, breaking off from his early well-constructed mode and reaching out towards the rawer, shapeless "conclusionless poem" with the line-breaks, shots of rapid quasi-cinematic images, and a dramatic action which is both of the everyday and a kind of mystic discovery of, or rebirth into, the phenomenal world. Masculine, compassionate, essentially conservative, Dickey's poems are incarnations of remembered joy and pain, a quietly intense celebration of the senses, an acceptance of the inherently tragic yet wonder-awakening landscape of man—the qualities, in short, of a good national poet circa the sixties.

Pub Date: June 1, 1967

ISBN: 0819560553

Page Count: 315

Publisher: Wesleyan Univ. Press

Review Posted Online: Sept. 22, 2011

Kirkus Reviews Issue: April 1, 1967

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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