Enough eye-popping plot developments for a miniseries, which may be exactly the idea.
A feud between a pop-singing phenom and her ex-husband pulls Florida lawyer Jack Swyteck into a whirlpool of murder, betrayal, and modern-day piracy.
Music mogul Shaky Nichols has sued his ex, the single-named Imani, for defaming him by charging that he stole much of her back catalog when EML Records, the company he controls, simply bought the copyrights in secret. (He’d been about to present them to her as a surprise, Shaky claims, when she filed for divorce.) Even though Imani publicly accused Shaky of pirating her music and urged her zillions of fans to retaliate by pirating the recordings he owns, Jack, her lawyer, manages to get Shaky’s suit dismissed without prejudice, but the trouble doesn’t go away. Even worse, the trouble is linked to the corpse of Tyler McCormick, who was strangled and chained to a piling on Florida’s Isola di Lolando 12 years ago. The FBI presses Imani to meet privately with Russian oligarch Vladimir Kava, whose teenage granddaughter wants a private concert, so that she can wear a wire and record him acknowledging that he and his son, Sergei, are running a global digital piracy operation. When that meeting doesn’t come off as planned, Jack finds himself back in court with his unreliable client, who’s charged, like her ex, with that 12-year-old murder, each co-defendant eager to throw the other under the bus. Meanwhile, Jack’s agreement with his wife, FBI agent Andie Henning, that they won’t discuss their jobs runs aground once again, and his former client and sometime investigator Theo Knight’s trip to London suddenly casts him in the role of accessory to a kidnapping and puts him squarely in the Kavas’ crosshairs.
Enough eye-popping plot developments for a miniseries, which may be exactly the idea.Pub Date: Jan. 9, 2024
ISBN: 9780063223844
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 15, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
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