PLB 0-688-10259-X Taking a big step up from its glamorous, superficial predecessor, African Beginnings (p. 111), this volume looks at the history of slavery in Europe and Africa, plus the growth and decline of the New World slave trade, with a narrative that is closely based on contemporary accounts and full-color and black-and-white illustrations from a variety of sources. After creating a historical background for the Age of Exploration, the authors explain how the slave trade came to dominate commerce with Africa, describe in harsh detail the treatment of captives before and during the infamous Middle Passage, take up the topic of slave mutinies (including the Amistad revolt), and end with the slaves’ arrival in port. Cooper’s emotionally intense, soft focus scenes of agonized or downcast captives are interspersed with crisply reproduced, mostly well-chosen art from Ancient Egypt to a mid-20th century mural; back matter includes a detailed chronology to 1808, when the trade was outlawed in the US, and a well-founded bibliography. A strong summary of an epic historical tragedy that is both sobering and illuminating. (index) (Picture book/nonfiction. 9-12) . . . —Hopkinson, Deborah A BAND OF ANGELS Illus. by Ra£l Col¢n Atheneum (40 pp.) $16.00 Jan. 1, 1999 ISBN: 0-679-81062-8 This fictionalized version of the formation of Fisk University’s Jubilee Singers should be packaged with handkerchiefs, because by the end there won’t be a dry eye among readers. Taking to the road in the early 1870s in a last-ditch effort to keep their college open, an African-American chorus plays to nearly empty houses as long as they sing “the popular white songs”; when, led by their pianist Ella Sheppard, they switch to then seldom-heard spirituals and slaves’ songs, they go on to international fame. In Col¢n’s stylized, combed paintings, a golden light shines down on nine solemn, dignified people singing their hearts out; it’s a portrayal that is so convincing that readers will almost hear the music. Hopkinson (Birdie’s Lighthouse, 1997, etc.) frames her moving, inspirational account as a modern family story shared by Sheppard’s descendants one of whom is a librarian at Fisk today. (Picture book. 6-8)
Pub Date: Jan. 1, 1999
ISBN: 0-688-10258-1
Page Count: 48
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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