Moustro Provolone welcomes Horace and Morris into his new chorus, but Dolores, the sparkplug of the trio introduced in Horace and Morris, But Mostly Dolores (1999) doesn’t make the cut—perhaps because she belts out “notes no one had ever heard before.” Is she angry? And how—but after discovering that playing alone while her buds are at practice isn’t much fun, she pens an appeal so eloquent—“Who tells a bird she shouldn’t be heard? Singing is just what birds do! So please take my word—I’m a lot like a bird. I have to sing out loud and true!”—that the Moustro is compelled to put it to music for the chorus (and Dolores) to sing. Walrod differentiates each member of her nearly identical, all-rodent cast with small identifying accessories, but uses wide gestures and big dialogue balloons to capture both Dolores’s outrage, and her larger-than-life personality. Though Horace and Morris are largely placeholders here, fans will welcome the triumphant return of this adventure-loving threesome. (Picture book. 6-8)
Pub Date: Oct. 1, 2002
ISBN: 0-689-83939-1
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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