The dialogue scenes, along with the action sequences, the South Texas landscape and the indelibly conflicted characters make...
Hackberry Holland’s third appearance, and Burke’s 30th, brings back sociopathic killer Preacher Jack Collins (Rain Gods, 2009, etc.), but this time surrounds him with so many seriously bad guys that he can scarcely get the sheriff to take his phone calls.
Danny Boy Lorca, visionary and drunk, has a wild story to tell. He witnessed a coyote pursuing two fleeing men and shooting one of them to death. The discovery of DEA informant Hector Lopez’s corpse confirms the first part of Danny Boy’s story. What’s become of the surviving fugitive? It seems clear that the coyote was either Antonio Vargas, aka Krill, or his enthusiastic sidekick Negrito, and scarcely less clear that the man on the run is Noie Barnum, an enigmatic ex–federal employee whose knowledge of certain military secrets makes him the Holy Grail sought by the FBI’s Ethan Riser, self-anointed citizen soldier Temple Dowling and Russian porn dealer Josef Sholokoff, who plans to sell his to al-Qaeda so that their members can pump him dry. But why has he taken refuge with Preacher Jack, and which of his pursuers will end up with the Grail? Before the answers to these tangled mysteries finally surface, Hackberry will rescue one of his deputies, R.C. Bevins, from darkest Coahuila; continue to fend off romantic overtures from another, Pam Tibbs; and fight his way through dozens of the kinds of conversations of the sort that Burke does better than anyone else, in which two men of action (or women of action, like homesteader/mystic Anton Ling) lunge at each other with fighting words while talking past each other completely because they’re really fighting themselves.
The dialogue scenes, along with the action sequences, the South Texas landscape and the indelibly conflicted characters make you want to give Burke a medal; the tangled plot, which lurches from one great sequence to the next without going anywhere but the grave, is the price you pay for these deep pleasures.Pub Date: Sept. 27, 2011
ISBN: 978-1-4516-4311-4
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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