Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult...
An exquisite interpretation of the ever popular Christmas song “Jingle Bells” is a companion piece to Puttapipat’s stellar edition of The Night Before Christmas (2007).
As in the previous volume, the elegant illustrations in ink and gouache have the look of old-fashioned silhouettes, with sharp, black details highlighted against snowy-white backgrounds. The setting for the song follows a couple dressed in Victorian clothing as they travel home in their ornate sleigh loaded with a Christmas tree and a red sack of presents. The words to the song unfold across the bottoms of the pages in white type set against black backgrounds decorated with sprigs of holly. Two of the right-hand pages have an angled, cut-paper edge, one an intricately designed tree and the other the outline of roofs in a town. As these pages are turned, they become part of the design of the following pages. As intrigued children will likely want to keep flipping these back and forth, it’s a good thing the pages are exceptionally sturdy. The song concludes with a spectacular pop-up spread with white trees and buildings, townspeople in black silhouettes, and a central evergreen tree decorated for Christmas. In front is the couple in the one-horse sleigh, this time all in white. This pop-up scene is breathtakingly beautiful but also extremely delicate, making it a look-but-don’t-touch conclusion.
Despite the fragile nature of the final tableau, this is a lovely version of the beloved song that could be used by an adult reader to mesmerize a young audience. (Picture book. 3-adult)Pub Date: Sept. 8, 2015
ISBN: 978-0-7636-7821-0
Page Count: 12
Publisher: Candlewick
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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