by James Mayhew & illustrated by James Mayhew ‧ RELEASE DATE: March 1, 2003
A sumptuously illustrated tale pays homage to Frances Hodgson Burnett’s classic. While Mayhew (To Sleep, Perchance to Dream, 2001, etc.) loosely refers to the original work, his subtle alterations and embellishments make this a unique extension of Burnett’s story rather than an exact replica. Basking in the warmth of a summer day, Sophie, whose favorite book just happens to contain a secret garden, wishes for a companion. This desire spurs a dream-like sequence where fey woodland creatures lead Sophie on a merry game of seek-and-find, drawing her deeper through the woods. She follows a robin carrying a key to a walled garden, which contains a squirrel frolicking with a hat. Further explorations reveal a lamb carrying a jump rope and a fox playing with a doll. Gathering the playthings, Sophie admonishes the animals, somewhat hopefully, with the refrain “Somebody will be looking for this!” Eventually, she discovers a young girl—and new playmate—named Mary. Mayhew’s exquisitely detailed, full-page illustrations lend an ethereal quality to the outing. Delicate cut-outs in the pages allow readers to glimpse the next clues in Sophie’s sleuthing game, while the soft watercolors capture the lush beauty of a summer garden filled with variegated hues. Waiting for discovery in the intricate paintings are an abundance of whimsical details to delight readers. A lovely seduction to tempt readers to the longer story. (Picture book. 5-7)
Pub Date: March 1, 2003
ISBN: 0-439-40435-5
Page Count: 32
Publisher: Chicken House/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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