As fast-moving and forgettable as that fly you keep swatting in vain.
A Long Island attorney locked in the most crucial trial of her career learns that she has—well, you know.
All things considered, things have been going pretty well for Jane Smith. Sure, she’s twice divorced; she’s not all that close to her sister, Brigid, who also has cancer; and Rob Jacobson, the client accused of killing Mitch and Kathy Gates and their teenage daughter, Laurel, is a lying piece of trash. But Jane and her investigator, tavern owner Jimmy Cunniff, have just been asked to look again into the high-profile Carson case, involving another family of three who were shot dead some years ago. Although she’s far from certain that Jacobson is innocent, Jane’s never yet lost a case, and she doesn’t intend to lose this one. She responds to the mountain of forensic evidence presented by Suffolk County D.A. Kevin Ahearn, who’s also never lost a case, by crowing that there’s no motive, until suddenly she’s confronted with a compelling motive and a whole new collection of lies that bring her up against crooked ex-cop Joe Champi, who may not have killed himself after all, and get Jimmy shot twice and beaten once, as if there were nothing else for him to be doing. Patterson seems entirely absent from this collaboration, which reads a lot more like Lupica, and not top-drawer Lupica. The overstuffed plot never seems any more believable than Jane’s damn-the-torpedoes response to her worsening symptoms. But it’s hard not to sympathize with an overstressed attorney who insists on performing herself daily because “crazy is kind of my thing.”
As fast-moving and forgettable as that fly you keep swatting in vain.Pub Date: Sept. 25, 2023
ISBN: 9780316405690
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Aug. 25, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK TO SCREEN
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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