This zany romp through venture capitalism and self-promotion self-identifies as a story “that kids will love”—but readers...
Industry juggernaut Patterson invents this fanciful origin story for his kid-lit imprint.
Jimmy, the adult author–cum–child narrator, believes that kids should write books for other kids. Mixing fantasy with Rand-ian can-do, Jimmy explains “how an ordinary kid like me got his own publishing company.” Yard sales, an encouraging librarian who seems calibrated to pander to other encouraging librarians, and eccentric “bazillionaires” help Jimmy turn his dream into an outlandish reality. Despite continually proclaiming the superiority of books “by kids/for kids,” Patterson name-drops some 38 other adult-authored titles, with literary references peppered throughout. Multiple Patterson-created characters appear as well, compiled at the end in an easy-to-shop list. For example, Jamie Grimm of I Funny (2013) motivates Jimmy using a clichéd disability-inspiration trope, causing Jimmy to muse that Jamie “laughed and cracked jokes when he could’ve been sad and glum.” Black-and-white spot drawings illustrate the mostly white characters and situations. The message to “never, ever, ever give up!” on a dream is perfect for adults parroting that refrain to children without examining how Jimmy’s privileges are more instrumental in this imagining than his persistence.
This zany romp through venture capitalism and self-promotion self-identifies as a story “that kids will love”—but readers will be better served by any of the titles named throughout. (Fiction 7-10)Pub Date: Aug. 28, 2017
ISBN: 978-0-316-43146-0
Page Count: 304
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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