This zany romp through venture capitalism and self-promotion self-identifies as a story “that kids will love”—but readers...
Industry juggernaut Patterson invents this fanciful origin story for his kid-lit imprint.
Jimmy, the adult author–cum–child narrator, believes that kids should write books for other kids. Mixing fantasy with Rand-ian can-do, Jimmy explains “how an ordinary kid like me got his own publishing company.” Yard sales, an encouraging librarian who seems calibrated to pander to other encouraging librarians, and eccentric “bazillionaires” help Jimmy turn his dream into an outlandish reality. Despite continually proclaiming the superiority of books “by kids/for kids,” Patterson name-drops some 38 other adult-authored titles, with literary references peppered throughout. Multiple Patterson-created characters appear as well, compiled at the end in an easy-to-shop list. For example, Jamie Grimm of I Funny (2013) motivates Jimmy using a clichéd disability-inspiration trope, causing Jimmy to muse that Jamie “laughed and cracked jokes when he could’ve been sad and glum.” Black-and-white spot drawings illustrate the mostly white characters and situations. The message to “never, ever, ever give up!” on a dream is perfect for adults parroting that refrain to children without examining how Jimmy’s privileges are more instrumental in this imagining than his persistence.
This zany romp through venture capitalism and self-promotion self-identifies as a story “that kids will love”—but readers will be better served by any of the titles named throughout. (Fiction 7-10)Pub Date: Aug. 28, 2017
ISBN: 978-0-316-43146-0
Page Count: 304
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the...
Charlie Bumpers is doomed. The one teacher he never wanted in the whole school turns out to be his fourth-grade teacher.
Charlie recalls third grade, when he accidentally hit the scariest teacher in the whole school with his sneaker. “I know all about you, Charlie Bumpers,” she says menacingly on the first day of fourth grade. Now, in addition to all the hardships of starting school, he has gotten off on the wrong foot with her. Charlie’s dry and dramatic narrative voice clearly reveals the inner life of a 9-year-old—the glass is always half empty, especially in light of a series of well-intentioned events gone awry. It’s quite a litany: “Hitting Mrs. Burke in the head with the sneaker. The messy desk. The swinging on the door. The toilet paper. And now this—the shoe on the roof.” Harley has teamed once again with illustrator Gustavson (Lost and Found, 2012) to create a real-life world in which a likable kid must face the everyday terrors of childhood: enormous bullies, looming teachers and thick gym coaches with huge pointing fingers. Into this series opener, Harley magically weaves the simple lesson that people, even teachers, can surprise you.
Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the sarcasm of Wimpy Kid. (Fiction. 7-10)Pub Date: Sept. 1, 2013
ISBN: 978-1-56145-732-8
Page Count: 160
Publisher: Peachtree
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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