by James Proimos ‧ RELEASE DATE: March 1, 2001
Proimos’s (The Many Adventures of Johnny Mutton, not reviewed, etc.) poetry packs a wacky punch. In a debut collection, he offers over 60 works, addressing such subjects as siblings and parents, friends and enemies, homework, food, and pets. From musical ditties like “Lola, the Singing Octopus” (“I’m in love with Lola the Octopus / and the angelic way she sings. / Oh, how I wish I could marry her / but who can afford eight rings?”) to the oddball odyssey of “Paul Carolina Flushed Himself to China,” Proimos has something for everyone. In the titular poem, a big-mouthed boy imagines turning the tables on his meddling mom: “It hurts me to lecture you, Mommy, / but you didn’t eat all your salami. / Plus your room is way too neat / and you have socks on both your feet. . . . Oh, after all you’ve put me through, what am I gonna do with you? . . .” Proimos’s Dav Pilkey–esque black-and-white illustrations accompany each. One funny vignette for “A Poem About My Uncle Larry (Who Never Wore A Suit) and His Wedding” shows an unbelieving bride wincing at her bathing-suit-wearing bridegroom. Sure to inspire laughter, this rib-tickling read-aloud may also get kids writing. As Proimos says in “Surprise, Surprise”—the collections final verse—“If you want another poem / the writing’s up to you.” (Poetry. 5-10)
Pub Date: March 1, 2001
ISBN: 0-439-20864-5
Page Count: 80
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
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by James Proimos ; illustrated by Zoey Abbott
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by James Proimos ; illustrated by James Proimos
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by James Proimos ; illustrated by James Proimos
by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Sheila Hamanaka & illustrated by Sheila Hamanaka
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by Larry La Prise & Charles P. Macak & Taftt Baker & illustrated by Sheila Hamanaka
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by Sheila Hamanaka & illustrated by Sheila Hamanaka
by Willie Perdomo & illustrated by Bryan Collier ‧ RELEASE DATE: Feb. 1, 2001
A little girl is going with her daddy to visit the home of Langston Hughes. She too is a poet who writes about the loves of her life—her mommy and daddy, hip-hop, hopscotch, and double-dutch, but decidedly not kissing games. Langston is her inspiration because his poems make her “dreams run wild.” In simple, joyful verse Perdomo tells of this “Harlem girl” from “Harlem world” whose loving, supportive father tells her she is “Langston’s genius child.” The author’s own admiration for Hughes’s artistry and accomplishments is clearly felt in the voice of this glorious child. Langston’s spirit is a gentle presence throughout the description of his East 127th Street home and his method of composing his poetry sitting by the window. The presentation is stunning. Each section of the poem is part of a two-page spread. Text, in yellow, white, or black, is placed either within the illustrations or in large blocks of color along side them. The last page of text is a compilation of titles of Hughes’s poems printed in shades of gray in a myriad of fonts. Collier’s (Martin’s Big Words, 2001, etc.) brilliantly complex watercolor-and-collage illustrations provide the perfect visual complement to the work. From the glowing vitality of the little girl, to the vivid scenes of jazz-age Harlem, to the compelling portrait of Langston at work, to the reverential peak into Langston’s home, the viewer’s eye is constantly drawn to intriguing bits and pieces while never losing the sense of the whole. In this year of Langston Hughes’s centennial, this work does him great honor. (Poetry. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-8050-6744-2
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
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by Willie Perdomo & illustrated by Bryan Collier
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