by James Riley ‧ RELEASE DATE: Jan. 17, 2017
A literary hall of mirrors, with plenty of thrills and laughs to keep “nonfictionals” in the game.
Bethany’s latest book-diving exploit takes her and her friends into a superhero comic, a realm where, of course, the good guys always win—or do they?
Following the electrifying discovery that her long-missing fictional dad is the superhero Doc Twilight, the white girl trails him from “this” world to Jupiter City, a burg of costumed heroes and villains that has been rebooted by its writer into an authoritarian dystopia under the thumb of a vengeful scenery-chewer known only as the Dark. Along with weaving “fiction,” “nonfiction,” and metafiction in brain-bending ways, Riley continues to have great fun with his premise—stocking Jupiter City with villains like Dr. Apathy and a fruit-themed gang led by Rotten Banana; slipping in pop-culture references from Squirrel Girl to “I’ve got a bad feeling about all of this”; and among other revelations describing how his string-pulling alter ego “Nobody” used a certain unnamed classic about a boy and a tree to subvert one of pop fiction’s most fundamental tropes. He also has Bethany sacrifice herself (seemingly) and strands her best bud Owen in a choose-your-own-plot novel with a disingenuous invitation to readers to leave him there. Bethany’s other allies, the comically misnamed Charm and dark-skinned, relentlessly upbeat Gwen, supply further banter, chemistry, and diversity to this tangled episode.
A literary hall of mirrors, with plenty of thrills and laughs to keep “nonfictionals” in the game. (Metafictional fantasy. 11-13)Pub Date: Jan. 17, 2017
ISBN: 978-1-4814-6125-2
Page Count: 384
Publisher: Aladdin
Review Posted Online: Oct. 25, 2016
Kirkus Reviews Issue: Nov. 15, 2016
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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