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GRANDMAS ARE GREATER THAN GREAT

For a story that places its emphasis on the exponential math of doubling generations, the facts don’t add up.

Witnesses in turn to wagon trains west, the first streetlight, the Great Depression, and World War II, the generations give way to Woodstock’s wild child and social media maniacs.

Regardless of when in time one happens to browse, a grandmother is making sure the next generations are happy and whole. The narration unfolds in a second-person address, so eight greats in the past has “your” ancestor cruising the 1700s. Five greats back finds “your” three-steps-nearer forebear in a one-room schoolhouse in the 1800s. Three greats has her feet planted in the early 1900s. And finally, the latest in a line of grinning wonders (all White-presenting) is smiling out into the 21st century. Solheim takes a 250-year-long trek to illustrate the generational chain that ends with a young mother and her daughter. However, his chronology doesn’t quite mesh with the narrative. “You” are the young hippie’s grandchild, newborn child of the baby she took to Woodstock in 1969. Yet “your” youthful-looking mother must be in her 40s as she holds a swaddled-up “you,” with “your” ex-hippie grandma and other relatives snapping pics on their smartphones. This is not the only extreme generational step. Desierto’s colorful collage images are also out of sync with the narrative. A family with only one bowl to their name has a tablecloth, a pitcher, and a matching cup? A concluding page presents a chart illustrating the number of grandmas that converge in a single person. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at actual size.)

For a story that places its emphasis on the exponential math of doubling generations, the facts don’t add up. (Picture book. 4-9)

Pub Date: Feb. 9, 2021

ISBN: 978-0-06-267123-3

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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WHY A DAUGHTER NEEDS A MOM

New parents of daughters will eat these up and perhaps pass on the lessons learned.

All the reasons why a daughter needs a mother.

Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.

New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)

Pub Date: May 1, 2019

ISBN: 978-1-4926-6781-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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