The Knight decides to take his trusty steed, Edward, on an overnight camping trip. The nutty Knight loads Edward with...
How is a Knight supposed to fall asleep without his beloved teddy bear?
The Knight decides to take his trusty steed, Edward, on an overnight camping trip. The nutty Knight loads Edward with everything but the kitchen sink (but does make sure to include a ukulele, a scooter and a box of rocks). Finally, the pair sets up camp—complete with a cozy-looking pink tent—and after feasting on delicious marshmallows, calls it a night. But while Edward promptly falls asleep, the Knight cannot! Upon discovering that his favorite teddy is missing, the Knight determines to find him. Seeking help from a rabbit, the Knight is led to a bear—but not the soft, cuddly one he was expecting! Eventually, all are reunited, and a forest frolic follows. This simply drawn charmer features illustrations with smooth, rounded edges, cleanly boxed into a clearly delineated panel structure. The small cast (just four characters) and economy of words make for an engaging and easy flow for beginning readers. Those interested in taking the experience one step further can follow the endpaper instructions for drawing the four main characters and making up their own stories about the Knight and his friends. This Knight may be sleepless, but he certainly does shine. (Graphic early reader. 4-7)Pub Date: April 14, 2015
ISBN: 978-1-59643-651-0
Page Count: 40
Publisher: First Second
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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