The world is ripe for exploring with friends, but Puzzlehead (his head is a toppled capital E) can’t seem to find his groove. His friend Bob invites him to spin on a swinglike contraption, but it just makes Puzzlehead dizzy, and Sue’s bouncing game is a headache-in-the-making. Finally, he finds his “perfect place”—a capital E–shaped hole in the ground into which he can stick his head: “Puzzlehead wanted to stay there forever.” Alas, he gets stuck there, upside-down and alone. When his four friends band together to pull him out—POP!—they all go flying, and—BLAM!—hit the ground, all their strangely shaped heads fitting together like puzzle pieces into a big rectangle. “I think I found the best Puzzlehead place of all,” Puzzlehead proclaims. Perhaps the author is suggesting to young readers that what feels like their “perfect place” may not be their “best place?” Colorful, digitally rendered, geometric creatures scamper and play abstractly like a Calder mobile, but the text is rather flat, and the message is either intriguingly multifaceted or just, well, puzzling. (Picture book. 3-6)
Pub Date: April 21, 2009
ISBN: 978-1-4169-0936-1
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
This charming, colorful counting tale of ten little fish runs full-circle. Although the light verse opens and closes with ten fish swimming in a line, page-by-page the line grows shorter as the number of fish diminishes one-by-one. One fish dives down, one gets lost, one hides, and another takes a nap until a single fish remains. Then along comes another fish to form a couple and suddenly a new family of little fish emerges to begin all over. Slick, digitally-created images of brilliant marine flora and fauna give an illusion of underwater depth and silence enhancing the verse’s numerical and theatrical progression. The holistic story bubbles with life’s endless cycle. (Picture book. 3-5)
Pub Date: Sept. 1, 2004
ISBN: 0-439-63569-1
Page Count: 40
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
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