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WHY DIDN’T SOMEONE WARN YOU ABOUT PRINCE CHARMING?

A smart, heartfelt set of tales of gay men’s lives.

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Currier (Until My Heart Stops, 2015, etc.) offers a collection of short stories about heartbreaks and humorous mistakes.

In “Lancelot’s Secret,” a college student takes an internship with a traveling production of Camelot, forcing him to contend with secret feelings of same-sex attraction. A man accompanies a friend who’s husband-hunting in the Hamptons and ends up meeting some men himself in “Sometimes You Have to Settle for Popeye (Even Though You’d Rather Play with Bluto).” “Elvis at Three is an Angel to Me” tells the tale of a man who suffers a complicated, unrequited crush on his roommate, who may be HIV-positive. In these 12 stories, Currier probes the possibilities and pitfalls of gay relationships, from adolescent first loves to middle-age what-might-have-beens. In the title story, a 63-year-old man, clicking through old boyfriends’ social media profiles, receives a shocking revelation about a fling he had 35 years ago: “You were never supposed to reach sixty,” the story begins, referring to the protagonist. “You survived a premature birth, the AIDS decades, the Y2K bug, 9/11, four hurricanes, three broken ribs, and two heart attacks. You don’t know whether to feel grateful or cursed.” The stories tend to focus on similar characters—often, expatriate Southerners looking for love in New York City and its environs. Currier varies the points of view, however, and even experiments with structure, as in “How to Obtain an Alfred Hitchcock Physique (and Bonus Dark Psyche),” which he formats as a numbered how-to list. His prose is plainspoken and often funny, although it also contains moments of understated emotion, as when a man describes his work with AIDS patients: “I used to be a ‘buddy’ to a guy who lived on the Upper East Side, which meant riding the subway for hours to take him to doctor appointments and buy his groceries. He was the third buddy in a row that I lost so I am taking a break until I am ready to have another buddy.” Cumulatively, the stories offer a warm, slightly melancholic view of people in and out of love.

A smart, heartfelt set of tales of gay men’s lives.

Pub Date: Oct. 16, 2019

ISBN: 978-1-937627-36-2

Page Count: 182

Publisher: Chelsea Station Editions

Review Posted Online: Oct. 1, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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