by Jami Attenberg ‧ RELEASE DATE: Oct. 23, 2012
A sharp-tongued, sweet-natured masterpiece of Jewish family life.
From Attenberg (The Melting Season, 2010, etc.), the deeply satisfying story of a Chicago family coming apart at the seams and weaving together at the same time.
Former lawyer Edie Middlestein has always been a large presence, brilliant as a lawyer, loving as a mother, shrewish as a wife. Since early childhood, food has been her private if not secret passion. The novel is organized according to Edie’s fluctuations in weight, and the descriptions of her sensual joy in the gluttony that may be killing her are often mouthwatering. Sixty-ish Edie is obese and ravaged by diabetes. When her pharmacist husband, Richard, leaves her shortly before she’s scheduled for an operation, Edie’s children are outraged. Thirty-one-year-old teacher Robin is a fearful near alcoholic who has avoided intimacy since a disastrous experience in high school. Ironically, her new self-proclaimed hatred of her father opens her to the possibility of a relationship with her geeky neighbor Daniel, a gentle soul with a hidden but strong spine, not unlike Robin’s older brother Benny. Benny is happily married to Rachelle, a woman of fierce protectiveness who initially denies Richard all access to his grandchildren to punish him for his desertion. Is Richard a heartless, selfish man, or is he correct that Edie left him years before he left her? A little of both. All these characters feel more than one emotion at a time, and all are more than they first seem. Edie is an overbearing matriarch in her family, but a lovable saint to the owner of her favorite Chinese restaurant. Richard is a schlemiel, except that he is capable of real love. While the novel focuses intensely on each member of the family, it also offers a panoramic, more broadly humorous, verging-on-caricature view of the Midwestern Jewish suburbia in which the Middlesteins are immersed, from the shopping centers to the synagogues. But as the Middlesteins and their friends move back and forth in time, their lives take on increasing depth individually and together.
A sharp-tongued, sweet-natured masterpiece of Jewish family life.Pub Date: Oct. 23, 2012
ISBN: 978-1-4555-0721-4
Page Count: 288
Publisher: Grand Central Publishing
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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