Next book

THE MELTING SEASON

Intelligent, moving portrait of a journey to self-awareness, with meaty characters and a refreshing absence of psychobabble.

Young Nebraska farm wife flees marital and family troubles for a Las Vegas adventure.

For Catherine Madison, stealing nearly $200,000 from her estranged husband Thomas was the easy part; it’s what to do with herself afterward that proves tricky. Hoping for a fresh start, or at least a chance to bide her time, she drives, trancelike, to Las Vegas and checks into a suite. At the hotel casino Catherine meets Valka, a cancer-survivor bombshell who takes pride in her reconstructed breasts and glamorous wigs. Valka takes the troubled younger woman under her wing and out on the town. They party with a troupe of celebrity impersonators, including a gender-bending Prince look-alike who takes a shine to naïve Catherine, who has never been with anyone except Thomas. Soaking up the Sin City debauchery while claiming to still be in love with her husband, Catherine, egged on by Valka, slowly reveals the complex issues (one of them a doozy) that drove her and Thomas apart. Needy, sexually-insecure Thomas does not come across well, but Catherine has plenty of her own baggage, including an abusive alcoholic mom, emotionally remote dad and promiscuous teenage sister. No wonder she clung to Thomas like a life-raft, making their separation especially traumatic. Ultimately, concern for her pregnant sister gives Catherine the courage to face her family and its painful secrets before they destroy the happiness of another generation. Talented Attenberg (The Kept Man, 2008, etc.) deftly keeps things from getting too maudlin, and damaged, quirky Catherine makes for an especially convincing heroine.

Intelligent, moving portrait of a journey to self-awareness, with meaty characters and a refreshing absence of psychobabble.

Pub Date: Jan. 21, 2010

ISBN: 978-1-59448-896-2

Page Count: 304

Publisher: Riverhead

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2009

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Next book

JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

Categories:
Close Quickview