by Jami Gigot ; illustrated by Jami Gigot ‧ RELEASE DATE: May 6, 2025
A humorously deadpan lesson in perspective.
Bigfoot turns out to possess a big heart—and a low tolerance for cognitive dissonance.
Who are these “mysterious creatures,” “so dangerous, and so treacherous,” who compel a sasquatch to fear them above everything? Why, us humans, of course—because we take over lands that don’t belong to us, urinate in the sasquatches’ gardens, and contaminate water simply by swimming in it. But in this handy guide addressed to fellow cryptids, Bigfoot explains how to identify the small threats by sight (“hairless limbs and faces”), by smell (especially farts), and by their “ear-piercing” sound. Though Bigfoot warns that humans are to be avoided at all costs, this directive isn’t so easy to follow. Playing dead is impossible when an intrepid, light-skinned young camper starts tickling the protagonist’s feet, and the child’s granola bars prove irresistible to Bigfoot. When the youngster, unable to remember the way back to the other campers, hides a teary face in the beast’s warm fur, it becomes clear that little humans aren’t exactly as myth has portrayed them. The book’s cautious advice diverges radically and amusingly from what we see in the illustrations and from what Bigfoot experiences. Childlike artwork in subdued colors with crayonlike strokes suggests authentic authorship by the big furry narrator, who never looks menacing and becomes more cuddly as the story progresses.
A humorously deadpan lesson in perspective. (Picture book. 4-9)Pub Date: May 6, 2025
ISBN: 9781525312632
Page Count: 36
Publisher: Kids Can
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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