by Jamie Korngold ; illustrated by Julie Fortenberry ‧ RELEASE DATE: Oct. 1, 2015
Korngold and Fortenberry move beyond sentimentality to real sentiment.
It would be easy to call this picture book two stories in one, but that would be glib and irresponsibly reductive.
This picture book is a guide to the Jewish holidays (complete with directions for making raisin challah on Rosh Hashanah), and it’s a story about a grandmother who knits the titular blue blanket for her grandchildren. But this is really just one book. It’s a story about the passage of time. After a number of holidays have gone by, Ori asks, “Why can’t you play with us like you used to?” Grandma says: “That is part of growing older. I can still sit down on the floor, but I can’t get back up.” Grandma is laughing, but some readers will find the story unbearably sad. Soon, she can’t remember places or names. Some people may also consider the book sentimental. When Grandma cuddles under her blue blanket with the children, she calls it their “Together Blanket,” and the words appear in bold, blue letters whenever mentioned in the text. The story also moves quite slowly, dwelling on the details of each holiday, which is apt in a book about time but often frustrating. Still, it’s hard not to be charmed by Fortenberry’s simple, symmetrical paintings, and it’s hard not to be moved when Sadie and Ori read Grandma the stories she once told them.
Korngold and Fortenberry move beyond sentimentality to real sentiment. (Picture book. 4-8)Pub Date: Oct. 1, 2015
ISBN: 978-14677-1191-3
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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by Jamie Korngold ; photographed by Jeff Finkelstein
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Lucy Ruth Cummins
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by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Joan Holub ; illustrated by James Dean
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