An intimate and important memoir of deconstructing and reconstructing faith after abuse.
A spiritual memoir that does not shy away from abuse, queerness, or the multifaceted character of God.
Marich, an acclaimed therapist and author of several books, grew up between religions—her mother’s Catholicism and the Evangelicalism to which her father converted when she was young. In the confusion bred by her opposing yet equally devout parents, Marich learned to hate her body and fear hell, symptoms faced by many survivors of spiritual abuse. “Not only did they lie to me about God,” Marich writes, reckoning with the long-lasting effects of her childhood. “They lied to me about me. My body. My sexuality. My essence as a person.” As Marich became an adult and continued her own spiritual searching, she uncovered those lies and began the spiritual healing journey that would allow her to engage in the therapeutic and activist work she does to help many other survivors like herself. With tender honesty, Marich writes about the abuse she experienced from her parents, especially her father, as well as all the people who have helped her through addiction recovery, in learning to embrace her queerness and restore her faith. This faith, placed in a queer, feminine divine constructed from several traditions, has given Marich the love and belonging she never found in the narrow, fear-filled faiths of her childhood and early adulthood. Though readers who did not grow up religious may struggle to relate with Marich’s spiritual story, it will likely resonate with readers of any faith, past or present. At the end of each chapter, “expressive arts” prompts invite readers to engage in the work of examining their relationship to spirituality by constructing their own spiritual memoirs.
An intimate and important memoir of deconstructing and reconstructing faith after abuse.Pub Date: Oct. 15, 2024
ISBN: 9798889840442
Page Count: 296
Publisher: North Atlantic
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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