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SHOW'S OVER

From the Fetch! with Ruff Ruffman series

Rarely will a book review recommend watching TV over reading a book, but in this case, find the remote.

Ruff Ruffman’s second literary outing is much lighter than the first (Doggie Duties, 2014), especially in the science department.

Whereas his first foray onto the page included many science facts and a cool experiment involving filtering water, this episode is a dud. The story is far-fetched, featuring an invitation to the Poodle Ball, a missing pair of fancy pants, a fax that cancels the show, a green vehicle, a trip to Australia and a dog-hating network owner; the science experiment in the backmatter only tangentially relates to a tiny part of the story: Using aluminum foil, readers construct boats of different shapes and test their carrying capacities and floating abilities with pennies in a bowl of water; in Ruff’s tale, he, Blossom and Chet forget to add the submarine feature to their green vehicle, so they save it from sinking by tying pineapples all around it. Those who love the show love it for Ruff’s tone of voice, Blossom’s sassy attitude and quiet intelligence, the many sound effects, and the cool things that the human guests get to do in exploring science and solving problems. Almost all of that is missing in print editions of the TV show.

Rarely will a book review recommend watching TV over reading a book, but in this case, find the remote. (Fiction. 6-9)

Pub Date: April 8, 2014

ISBN: 978-0-7636-7278-2

Page Count: 48

Publisher: Candlewick

Review Posted Online: Feb. 18, 2014

Kirkus Reviews Issue: March 1, 2014

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HORTON AND THE KWUGGERBUG AND MORE LOST STORIES

Fans both young and formerly young will be pleased—100 percent.

Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!

All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.

Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)

Pub Date: Sept. 9, 2014

ISBN: 978-0-385-38298-4

Page Count: 56

Publisher: Random House

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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THE ULTIMATE BOOK OF CITIES

There’s lots to see and do in this big city.

A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.

Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.

There’s lots to see and do in this big city. (Informational novelty. 6-9)

Pub Date: April 4, 2017

ISBN: 979-1-02760-079-3

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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