Sweet music is best heard by those who really listen.
Voices that join together make sweet music indeed.
Chipmunk lives on a rock, spending most of her days singing—“chirping”—songs that are happy, bittersweet, or sad. She really wants a singing partner. (Rock only listens.) On a walkabout, she encounters a pinecone whom she brings home, but Pinecone’s no better at singing than Rock is. Another day, Chipmunk finds a log she can’t move. Disconsolate, she sings a song “in my heart” laden with loneliness and defeat, which a listening raccoon appreciatively calls “sad” and “beautiful.” Raccoon helps with the log, but the pair’s efforts fail. Raccoon joins Chipmunk’s song, adding lyrics about frustration. A moose praises the duo’s tune, sung from “our hearts,” and offers pushing assistance. Moose’s strength finally dislodges the log, landing it…right near Rock and Pinecone. In the end, these objects become fast friends and perfect listeners to the songs that Chipmunk, Raccoon, and Moose sing together. This gentle, simply told story addresses the importance and enjoyment of friendship and collaboration. The eye-catching illustrations feature colors and patterns suggesting the emotional heft of Chipmunk’s airs; ample white space permits focus on the tale’s lively goings-on. The animal protagonists have engaging personalities and faces; their coats’ realistic furriness is achieved via the artist’s deft, swift strokes. (This book was reviewed digitally with 7-by-19-inch double-page spreads viewed at 43.5% of actual size.)
Sweet music is best heard by those who really listen. (Picture book. 3-6)Pub Date: June 29, 2021
ISBN: 978-1-5344-7002-6
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...
The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.
Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)Pub Date: July 29, 2014
ISBN: 978-0-399-16773-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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