This bold and bloody coming-of-age story is an enthralling page-turner.
In this thrilling sequel to 2023’s I Feed Her to the Beast and the Beast Is Me, a former prima ballerina reckons with the ramifications of her decision to forge a deal with a primordial deity—as well as with her grief, guilt, and the god’s growing demands.
Laure Mesny, the current embodiment of the eldritch Wicked Dark, drinks, parties, and dances to cope with the aftermath of events that killed her best friend and sealed her Mephistophelian pact. She begins to suspect that her alliance with the god Acheron is more parasitic than symbiotic and fears she’s losing what little agency and selfhood she has as he nests within her body. Meanwhile, people are dying violently on the streets of Paris, and the immortal land of Elysium, in “a dimension beyond Paris,” inexorably begins to rot. As brown-skinned Laure investigates, she’s shocked by the secrets she uncovers that threaten both the mortal and immortal worlds. Laure feels grotesque, unloved, and abandoned, saying, “Perhaps I was a monster to be put down, when all I’d ever done was try to survive.” But she’s a fierce and vulnerable antihero, someone who protects herself as well as outcasts and the vulnerable. Beneath the viscera, the story underscores that the real horror isn’t the monsters we become in order to survive a cruel world, but the powers that try to bend and break us to commit atrocities for their benefit.
This bold and bloody coming-of-age story is an enthralling page-turner. (author’s note) (Horror. 14-18)Pub Date: Nov. 12, 2024
ISBN: 9781250909589
Page Count: 336
Publisher: Henry Holt
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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