An intergenerational tale that celebrates both a specific tradition and the universal curiosity of children
After Uncle, an Anishinaabe tracker, explains to his young nephews Tom and Will the significance of the moose to their family clan and about the Windigo, the wandering night spirit of winter, the boys are determined to become trackers like him.
Uncle opens by telling how Makwasaagim, snowshoes, help trackers to walk when there is deep snow and also why their Moose Clan respects the moose for giving them many ways to survive the harsh winters. Next, he warns them about the dangers of the Windigo so they can respect the dangers of the season. That night the sleeping boys waken to loud noises and hurry to the window but soon are frightened back to bed by a black shadow in the window. The next morning they go out and strap on their Makwasaagim to investigate, finding many signs that might prove the Windigo had been there. However, when they hear haunting animal cries, the boys prove they are true trackers. Anishinaabe Waboose’s prose seamlessly threads her people’s legends with her story of a modern First Nations family that is keeping its traditions alive. Award-winning illustrator Thisdale’s expressive and detailed illustrations add depth to Waboose’s engaging text. His mixed-media paintings successfully blend the traditional and the modern, the comfortably familiar and the uncanny, to support the story’s themes.
An intergenerational tale that celebrates both a specific tradition and the universal curiosity of children . (Picture book. 4-8)Pub Date: March 14, 2018
ISBN: 978-1-92708-311-6
Page Count: 32
Publisher: Fifth House
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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