Both busy and meandering, but readers may like the dancing Cossack bears.
Brett applies her signature visual storytelling style to the Christmas favorite.
By setting her tale in a snowy, 19th-century Russian city and including in her trademark marginal vignettes both golden musical staves crowded with notes and animal instrumentalists clad in traditional Russian attire, Brett situates this retelling in Tchaikovsky’s ballet rather than Hoffman’s original story, though she retains Hoffman’s names. And as the ballet does, Brett crams her stage with characters, beginning with the Christmas party when Drosselmeier presents Marie with the Nutcracker and continuing through the battle with the Mouse King to Marie and the Nutcracker’s visit to what is here called the land of the Snow Princess. Once there, anthropomorphic Russian animals replace the ethnically stereotyped sweets of the ballet, with arctic foxes, flying squirrels, and hedgehogs taking turns in a snowy wonderland. Like the plot of the ballet, not much makes sense under close examination; unlike the ballet, Brett’s figures display very little movement, so hemmed in are they. Even compositions with relatively few figures feel crowded with decorative detail and superfluous tiny animals, so much so that readers may need to work hard to parse meaning. Despite its adherence to the plot of the ballet, this is not a particularly good preparation for it, but readers already familiar with it may enjoy taking in Brett’s vision. All human characters present White. (This book was reviewed digitally.)
Both busy and meandering, but readers may like the dancing Cossack bears. (Picture book. 4-8)Pub Date: Nov. 2, 2021
ISBN: 978-0-593-10982-3
Page Count: 32
Publisher: Putnam
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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