Not quite just right but sure to please Brett’s fans.
More “The Three Bears” than “The Little Mermaid,” Brett’s latest picture book was inspired by her visits to Okinawa and the New England Aquarium, where she encountered the Pacific octopus.
The titular mermaid is named Kiniro, and her Japanese-inspired name, dark rather than golden tresses, and East Asian features are links to Brett’s Japanese inspiration for the story. Various illustrative details of the setting and characters’ costuming also seem tied to Japan, but the text is firmly rooted in the very English “The Three Bears.” While swimming with her friend Puffy (a puffer fish), Kiniro happens upon the house of an octopus family. In keeping with the folk-tale source material, Otosan (the father), Okasan (the mother), and Baby, an octopus family, have all gone out, leaving Kiniro to try their breakfast, their chairs, and their beds. In each instance she prefers Baby’s things, and she drifts off to sleep in a clamshell bed. Throughout, Brett’s signature sidebar illustrations show the octopus family on their outing, each wearing a hat. (A subplot about the octopuses’ hats detracts from the story with superfluous detail.) When they return, they are upset by Kiniro’s intrusion, but Puffy protects her, and they escape with a new friend in tow—a stingray who had been Baby’s hat and which Kiniro replaces with a tiara.
Not quite just right but sure to please Brett’s fans. (Picture book. 3-5)Pub Date: Aug. 22, 2017
ISBN: 978-0-399-17072-0
Page Count: 32
Publisher: Putnam
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...
A hug shouldn’t require an instruction manual—but some do.
A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)Pub Date: Jan. 29, 2019
ISBN: 978-1-338-29710-2
Page Count: 32
Publisher: Scholastic
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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