When Papa takes the cut sandalwood into town, Lizzie, Mama and the baby are all alone in their little house in the bush. Lizzie is always playing and pretending; Mama calls it Lizzie nonsense, but her imagination helps lighten the daily chores and hard work. While Mama tends the garden, she picks flowers and becomes a bride; as she helps Mama prepare the usual turnips for dinner, they become peaches and cream; as they mend clothes, Lizzie pretends to make a party dress with buttons and bows. Mama even joins the playfulness when they dress in their best on Sunday and walk along the track and back, pretending they’ve been to church. The beautiful painterly, watercolor illustrations are a departure from Ormerod’s earlier cuddly style. The earth-hued wispy and airy paintings affectionately embellish Lizzy’s nonsense, conveying a warmhearted snippet of time when a family bond overcame the hardships of Australian pioneer life to make a home in an untamed land. Based on anecdotes from the author’s own family history. (Picture book. 5-8)
Pub Date: Aug. 1, 2005
ISBN: 0-618-57493-X
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.
Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.
Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-0623-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: April 1, 2020
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