It's Sunday and her father is the reverend, so there is no doubt where Madelia is headed that morning, but what she'd like to do is stay home with her new jars of paint. Impatiently she sits in her pew, willing the service to end, when her father turns his vibrant, rhythmic oration on her. ``There is a place . . . a place'' her father sings out, ``where the colors are bright . . . yes, bright as the light that forms them in that rainbow . . . yeah . . . where grows a tree . . . a majestic tree . . . a tree which spreads her branches through the universe.'' Madelia is no longer inattentive, but rapt in her father's performance and vision. She has an out-of-body experience where she rides a heavenly chariot pulled by horses of many colors. It is a beautiful gift her father has given her, and Madelia knows just what to do with it: break out those new colors and let the painting begin. Gilchrist's story has more to do with the power of oratory than with religious visions, but the incantatory passages in print—already difficult for readers—can't compete with the potency of a real speaker. The gouache and pastel illustrations, with their fresh springtime colors, capture the beat of the text and persuade onlookers as to the wonder of the event. (Picture book. 4-8)
Pub Date: Oct. 1, 1997
ISBN: 0-8037-2052-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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