Leave the song to Marianne Berkes, the seek-and-find to Joan Steiner and the team of Walter Wick and Jean Marzollo.
The traditional song gets an unsuccessful seek-and-find makeover.
As in the original, children count from one to 10, following the animals in a streamside meadow habitat as they teach their babies a few needed skills. With only one glaring exception, the rhythms and rhymes fit the original tune, but readers won’t sing it through, anyway. They will be too busy scanning the spreads for the familiar objects that make up both the animals and their surroundings—green plastic combs stand in for grass, pretzels form the beaver lodge’s sticks and leaves become the owls’ feathers. Unlike other books that use this method, however, the objects are digitally resized, taking away their size context and making them difficult to recognize, especially in comparison to one another. Further complicating matters is the fact that some of the objects have had parts cut off or their color changed. Overall, the artwork comes off as being overly digitized, a jarring contrast to the nature theme of the song. For pre-readers, a few rebus elements are included in each verse, but as they focus mainly on the featured animal, they seem extraneous. A visual listing of many of the everyday objects used in the scenes offer readers the chance to go back through the illustrations and find them.
Leave the song to Marianne Berkes, the seek-and-find to Joan Steiner and the team of Walter Wick and Jean Marzollo. (Picture book. 3-6)Pub Date: Feb. 1, 2012
ISBN: 978-1-926973-06-7
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Formulaic fare that will nevertheless charm devoted followers.
A few familiar friends explore gratitude.
Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.
Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)Pub Date: Sept. 10, 2024
ISBN: 9780593690574
Page Count: 32
Publisher: Philomel
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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