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THE ART COLLECTOR

Oscar is both a tiny boy and an art collector. His first purchased piece is “an old etching” of a stream and waterwheel; he...

A pure and simple appreciation of art—and of loving it.

Oscar is both a tiny boy and an art collector. His first purchased piece is “an old etching” of a stream and waterwheel; he pulls weeds to afford its price—$1—and to replace the cracked glass and old frame. Sitting on his rocking horse, he gazes at the etching, never bored. Over time, he acquires portraits, still-lifes and landscapes, representational and abstract pieces, many paintings and at least one woodcut. He cherishes each one. Slightly older, he sits reading "Art News," bedroom walls covered in art; when he leaves for college, he carefully packs everything against breakage. The collection grows “until a museum had to be built to hold it.” Readers will share Oscar’s enjoyment via Bonnet’s rendition of the pieces themselves, pleasurably variant in content and vibe, and via the calm cheerfulness of her illustrations. In acrylic paint, pencil and collage, she makes Oscar’s world still but alert, visually joyful but never cluttered. Some adults may cringe that Oscar’s original impetus to view art (rather than create it) is frustration at his own inability to draw representationally; however, it’s his admiration for Great-Granny’s chicken portrait in crayon (in contrast to his own) that spawns an admirable lifelong passion.

Pub Date: July 1, 2011

ISBN: 978-1-58089-270-4

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: June 15, 2011

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WHERE ARE YOUR SHOES, MR. BROWN?

Pedestrian.

Mr. Brown can’t help with farm chores because his shoes are missing—a common occurrence in his household and likely in many readers’ as well.

Children will be delighted that the titular Mr. Brown is in fact a child. After Mr. Brown looks in his closet and sorts through his other family members’ shoes with no luck, his father and his siblings help him search the farm. Eventually—after colorful pages that enable readers to spot footwear hiding—the family gives up on their hunt, and Mr. Brown asks to be carried around for the chores. He rides on his father’s shoulders as Papa gets his work done, as seen on a double-page spread of vignettes. The resolution is more of a lesson for the adult readers than for children, a saccharine moment where father and son express their joy that the missing shoes gave them the opportunity for togetherness—with advice for other parents to appreciate those fleeting moments themselves. Though the art is bright and cheerful, taking advantage of the setting, it occasionally is misaligned with the text (for example, the text states that Mr. Brown is wearing his favorite green shirt while the illustration is of a shirt with wide stripes of white and teal blue, which could confuse readers at the point where they’re trying to figure out which family member is Mr. Brown). The family is light-skinned. (This book was reviewed digitally.)

Pedestrian. (Picture book. 4-7)

Pub Date: March 14, 2023

ISBN: 978-1-5460-0389-2

Page Count: 32

Publisher: WorthyKids/Ideals

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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TOYS GALORE

Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children...

A fizzy yet revealing romp through the toy world.

Though of standard picture-book size, Stein and illustrator Staake’s latest collaboration (Bugs Galore, 2012, etc.) presents a sweeping compendium of diversions for the young. From fairies and gnomes, race cars and jacks, tin cans and socks, to pots ’n’ pans and a cardboard box, Stein combs the toy kingdom for equally thrilling sources of fun. These light, tightly rhymed quatrains focus nicely on the functions characterizing various objects, such as “Floaty, bubbly, / while-you-wash toys” or “Sharing-secrets- / with-tin-cans toys,” rather than flatly stating their names. Such ambiguity at once offers Staake free artistic rein to depict copious items capable of performing those tasks and provides pre-readers ample freedom to draw from the experiences of their own toy chests as they scan Staake’s vibrant spreads brimming with chunky, digitally rendered objects and children at play. The sense of community and sharing suggested by most of the spreads contributes well to Stein’s ultimate theme, which he frames by asking: “But which toy is / the best toy ever? / The one most fun? / Most cool and clever?” Faced with three concluding pages filled with all sorts of indoor and outside toys to choose from, youngsters may be shocked to learn, on turning to the final spread, that the greatest one of all—“a toy SENSATION!”—proves to be “[y]our very own / imagination.”

Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children everywhere. (Picture book. 4-7)

Pub Date: Sept. 10, 2013

ISBN: 978-0-7636-6254-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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