by JaNay Brown-Wood ; illustrated by Samara Hardy ‧ RELEASE DATE: March 1, 2022
This appealing title delivers plant facts in a vibrant, harmonious setting.
Miguel encounters a plethora of fruits and vegetables while searching for the sunflowers that will decorate his community garden’s evening party.
In this cheerful second entry in the Where in the Garden? series, Brown-Wood first describes a sunflower’s attributes for her preschool audience: a tall, single, thick stem; yellow petals around a center with many seeds; large, pointy leaves that stick out. Readers join Miguel as he visits nine plant species, each of which shares a physical attribute with sunflowers. An apricot tree is tall but “much taller than a sunflower.” Celery “is thick in places” but has multiple stalks rather than one stem. A brief rain shower doesn’t daunt the yellow-slickered Miguel and his pet tortoise in their search. Hardy’s exuberant illustrations depict Miguel and his family, all of whom are brown-skinned, who are joined at the party by a redheaded White child using a wheelchair, a girl with Asian features, and Amara, the Black girl with twin Afro puffs from the series’ previous title. Illustrations done in Photoshop with layers of hand-painted ink and watercolor textures depict a cheery, thriving urban garden teeming with bees, ladybugs, birds, and earthworms for children to spot. Inviting, patterned endpapers dance with the fruits and veggies growing in the garden, and a recipe for sunflower seed salad rounds out the project. (This book was reviewed digitally.)
This appealing title delivers plant facts in a vibrant, harmonious setting. (Informational picture book. 2-6)Pub Date: March 1, 2022
ISBN: 978-1-68263-166-9
Page Count: 32
Publisher: Peachtree
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Sept. 23, 2014
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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