A fine introduction to a quintessentially British novelist who isn’t nearly well enough known Over Here.
With winning charm and wit, two-time Whitbread-winner Gardam (Queen of the Tambourine, 1995, etc.) explores the social and emotional climate of postwar England.
Gardam weaves together the stories of three village girls who, between the summers of 1946 and ’47, earn university scholarships and prepare to leave their former lives behind. Hetty Fallowes stages a hesitant rebellion against her mildly neurotic, maddeningly possessive mother. Una Vane flutters mothlike toward the flame of left-wing politics and the adventure of having a lower-class lover (a somewhat surly delivery boy). And Liselotte Klein, an orphaned German refugee delivered to England by the Kindertransport, tests her steely stoicism against the reflexive compassion of the Quakers who become her foster parents. Gardam moves among their experiences with sophisticated assurance, enriching the novel’s texture with memorable characterizations of the protagonists’ acquaintances and especially their elders, notably Hetty’s shell-shocked father, a traumatized war veteran who has become a philosophical gravedigger with a hilariously mordant sensibility, and her flighty, effusive mother, who’s simultaneously less and more than the smothering monster Hetty believes her to be. This is essentially familiar material (think Muriel Spark’s classic The Girls of Slender Means) redeemed by invigorating detail (especially the piecemeal portrayal of how wartime hardships were patiently endured) and an elegiac affection for the excesses and absurdities of youth on the puzzling, intimidating threshold of maturity. Gardam frames her story in dozens of crisp, brief scenes featuring deliciously dizzy conversation (“I’ve no belief in women with careers . . . It shrinks the womb”). Reading The Flight of the Maidens is a little like listening to your favorite dotty aunt rattle on about bygone days and absent friends: you shake your head in wonder and mild exasperation while the old girl effortlessly charms you.
A fine introduction to a quintessentially British novelist who isn’t nearly well enough known Over Here.Pub Date: July 1, 2001
ISBN: 0-7867-0879-4
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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