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TURTLE-TURTLE AND THE WIDE, WIDE RIVER

The target audience will appreciate this tale of getting by with a little help from one’s friends.

Help comes in unexpected ways as a lone baby turtle battles a storm-tossed river.

Heron, Frog, and Otter all know the signs: “The reeds rustled. / The waves crashed. / The lightning flashed. / The thunder clapped, / and the rain pelted down, down, down.” Turtle-Turtle, however, is too young to understand what’s happening. So while the others run for cover, he cowers under his shell on their small island. After a climactic double-page spread in which the little reptile is tossed this way and that in the water, he learns that he can hold his breath underwater and keep his eyes open—qualities he didn’t know he had. With the support of the other animals, Turtle-Turtle reaches land once again. The authors’ use of alliteration, onomatopoeia, and internal and end-of-line rhymes makes this story flow effortlessly and dramatically when read aloud. These elements, as well as the repetition of words and a refrain, will encourage even the youngest listeners to participate. Will Hillenbrand’s digital scenes employ diagonal lines, signs of motion, and a darker palette to signal the danger, whereas the aftermath depicts a return to calm and a gradual brightening, leading to a rainbow. The book’s dedication suggests that the inexperience and resilience of children during the pandemic—and the support of helpers—were inspirations.

The target audience will appreciate this tale of getting by with a little help from one’s friends. (author’s note from Will Hillenbrand) (Picture book. 2-5)

Pub Date: March 12, 2024

ISBN: 9780823453979

Page Count: 40

Publisher: Holiday House

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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