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A REVOLUTION IN COLOR

THE WORLD OF JOHN SINGLETON COPLEY

There may never be a better biography of Copley than this sumptuous, exquisitely told story of a man and his time.

A majestic portrait of the American painter.

Kamensky (History/Harvard Univ.; The Exchange Artist: A Tale of High-Flying Speculation and America’s First Banking Collapse, 2008, etc.) delivers a masterful portrayal of John Singleton Copley (1738-1815), a “cautious man in a rash age,” his story “peculiarly American: hard-edged, uncloaked, impolite.” The author beautifully merges biography with history to tell the story of one of America’s earliest and finest portrait painters. Along the way, she provides insightful profiles of many of Copley’s key contemporaries, including Benjamin West and Joshua Reynolds. Born into a poor Boston household, Copley seemed destined to draw and paint. When his mother married a second time, to a portrait painter, Copley was able to take advantage of his new father’s skills and materials to teach himself to paint. It was his calling, and his business as a supremely gifted portrait painter of local businessmen and British officers took off. In the 1750s, his craft improved, with “fabrics that shimmered, almost rustled; eyes that seemed to have mind, even spirit behind them.” By 1764, he was experimenting with full-scale portraits. He painted the impressive A Boy with a Flying Squirrel in 1765, with his brother as the model. His portrait of John Hancock followed, and in 1768, he painted an iconic masterpiece, Paul Revere. At the time, Britain was relentlessly taxing items, including “painters colours,” and passing repressive acts. As a loyalist, Copley kept his politics quiet, but after the Boston Tea Party in 1773, he feared for his family. He sailed to England in 1774, never to return. He began painting large historical paintings, but, as Kamensky writes, “his insight diminished.” After signing the Treaty of Paris, John Adams sat for Copley in London for a portrait. Shortly after, Copley died “beneath a mountain of debts.” An ocean away, the painter’s halting rebirth began.

There may never be a better biography of Copley than this sumptuous, exquisitely told story of a man and his time.

Pub Date: Oct. 4, 2016

ISBN: 978-0-393-24001-6

Page Count: 528

Publisher: Norton

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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