A sensitive introduction to a young woman whose words continue to live.
This brief but powerful introduction to Anne Frank’s life uses a format suitable for both newly independent readers and older readers who need simplified text.
The chestnut tree is used as a framing device, providing a narrative hook to introduce Anne and her life in captivity in World War II–era Amsterdam. A quote from Anne’s diary is paired with a powerful image of Anne looking out through an attic window at the tree’s bare branches. The concluding pages detail how the tree finally met its end in a powerful storm; sadness is countered with the hopeful description of hundreds of saplings from the famous tree planted around the world. A rather overwrought final page draws a parallel between these new trees and Anne’s words, which “have been planted in the minds of the millions who read her diary.” (Oddly, the tree depicted here does not appear to be a chestnut.) The context of the Nazi era and the basic facts of Anne’s life are skillfully summarized, ending with her family being sent to concentration camps and a brief acknowledgement that “Anne did not survive the war.” Touching illustrations in muted tones augment the portrayal of Anne’s character and add to the atmospheric depiction of her life in the Secret Annex.
A sensitive introduction to a young woman whose words continue to live. (bibliography, author’s note) (Early reader/biography. 6-12)Pub Date: Sept. 24, 2013
ISBN: 978-0-449-81255-6
Page Count: 48
Publisher: Random House
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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