Well-meaning but misses the mark.
The weeklong Jewish harvest holiday of Sukkot is celebrated at Auntie Sanyu’s Ugandan home.
Auntie Sanyu, a Ugandan Jew, or Abayudaya, builds her sukkah in her lush garden, then invites friends and family to come and stay. Warthog arrives, politely eats, and shakes the lulav (a palm frond bound together with branches of willow and myrtle for use in the Sukkot ritual), but when he sniffs the etrog, the ceremonial citrus’ lemony scent is so appealing he cannot let it go. On the successive six days when Lion, Parrot, Camel, Giraffe, and Rhino come, each takes a turn shaking the lulav, but Warthog selfishly holds onto the etrog, to the anger and annoyance of everyone else. “They took turns with the lulav. They shook it west to east. / But Warthog grabbed the etrog! And Camel muttered, BEAST!” The rhyming cumulative tale ends amicably when Auntie Sanyu’s sole human guest, her niece, Sara, joins the group and nicely asks Warthog for the etrog. “She made him feel so sheepish, he couldn’t tell her ‘No.’ / Then Warthog SHARED the etrog, and the guests all cried, BRAVO!” Digital artwork provides a colorful shot of African ambiance with animated depictions of the animals and stylized, deeply brown-skinned women. This alternate perspective presents familiar components of the holiday and provides background on the Abayudaya in an author’s note and glossary. Unfortunately, it perpetuates stereotypes of Africa by emphasizing animals over humans; surely Auntie Sanyu has more than one relation to celebrate with?
Well-meaning but misses the mark. (Picture book. 4-8)Pub Date: Aug. 1, 2018
ISBN: 978-1-5415-0966-5
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
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